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Curatorial StatmentMy curatorial work centers on language-based artistic practices and how they generate meaning within specific conditions of display, circulation, and reception. Grounded in literature and linguistics, I examine how artists deploy language—its structures, genres, and transformative capacities—across exhibition contexts and interpretive formats. Drawing on minimalist and conceptual legacies, I approach language as both medium and subject: simultaneously a communicative instrument open to repetition, reformulation, reinterpretation, and productive mistranslation, and a coded system shaped by rules, constraints, and patterns.
This line of inquiry extends to conceptualisms beyond the Anglo-American canon, foregrounding works that emerge from peripheral or locally situated contexts. Here, I explore how conceptual methodologies intersect with cultural knowledge, collective memory, and alternative epistemologies, thereby challenging hegemonic narratives within conceptual art history.My research also engages with systems theory, examining forms of language shaped by mathematics, optics, technology, and myth-making. I bring historical and contemporary works into dialogue—from 1960s kinetic art to contemporary digital experimentation. I am particularly drawn to artists who employ archival research, diagrammatic thinking, and coded structures, and whose practices frame the machine as both a promise and a paradox, revealing instability alongside poetic and speculative potential.
Through a structuralist lens, I investigate how artworks construct the myths through which societies conceive reality, and how these myths materialize as systems and codes that both shape dominant patterns and reflect diverse social conventions. In parallel, I study weaving and textile traditions as systems of narration and knowledge transmission. Focusing on the loom’s geometry and algorithmic logic, I trace its connection to early computation and the often-overlooked role of women in the history of technological innovation.
My work explores the human impulse to give form to invisible networks—linguistic, spiritual, and digital—proposing that systems are fluid rather than fixed, that technologies carry mythological weight, and that language operates as a connective tissue across time.About
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